Journals: Refeng Xueshu > Refeng Xueshu Volume 7
Refeng Xueshu Volume 7
作者： 来源： 发布时间：2017-08-03 17:13:33 阅读：
Publication Date: 2013-12-01
Refeng Xueshu Volume 7
Series: Refeng Xueshu
Editor: WANG Xiaoming, CAI Xiang
Publisher: Shanghai People Publishing House
Publication Date: 2013-12-01
Introduction
In this volume, we have selected articles that discuss the complex relationship between TV drama—arguably the most important field of cultural production and ideological expression—and modern Chinese culture. The researches approach the topic from various angles. One article looks at the macro level from TV production; one takes a more intimate look at the consumption and reception of such products. By looking at the relationship between literature and TV productions, and examining the lineage and rupture of the Revolution legacy in China from the revolutionary period to the economic period, one also closely discusses the role of TV drama in ways of cultural representation and their meanings in the contemporary Chinese political culture. At the 20th anniversary of the publishing of the Korean leftist magazine Munhwa/Kwahak (Culture/Science), we have selected articles that discuss thoughts and the cultural atmosphere in contemporary Korea, as an introduction to a social and intellectual movement, but also as a way to better understand the political situation in the East Asian region, and a thought experiment of other possible worlds. This volume also features insightful researches on “development” and “growth”, with “Afterword” by the editors, which hopefully would open up space for further discussions.
Contents
Reading Our Time
SHI Liyue: Variation on the revolution “main theme” and the commercialized production of TV drama—a study of TV series featuring the history of Chinese Communist Revolution since the 1990s
NI Wei: Religious and cultural symptoms of contemporary espionage drama
XUE Yi: Espionage and guerrilla warfare in TV series—a speech at the 8th Chinese Culture Forum
ZHANG Bing: A case study of Chinese patriotic TV series: My Chief and My Regiment as an example
Returning to the Scene
KANG Nae-hui: The dominance of neoliberalism and the vacillation of cultural landscape in South Korea after 1987
WANG Sin-yu: Concerns for the homeland rooted in the rural local—The Labor Exchange Band
JIANG Yajoo: Listening to Lin Sheng Xiang—a viewpoint from a girl born in the 1980s
CHUNG Hsiu-Mei: The construction of cultural front and the building of collective consciousness—The Labor Exchange Band as an example
Inside & Outside the Text
ZHANG Chuntian: “Anti-Manchu sentiment”(pai man) and “awakening”(jiao min) in the global space: exploring the conceptualization of “nationalism” by Nan She intellectuals of late Qing
WANG Yujuan: Slow urbanization: Fabrication and documentation
Refeng Forum
YIN Choon-sung: 20 years of Korean radical leftist magazine Munhwa/kwahak (Culture/Science)
How to put academic works into practices: Interviewing Prof. KANG Nae-hui, the founder of Munhwa/kwahak
LEE Dongyeon: The theory-based practices and cultural movement of Munhwa/kwahak
SHIN Kwang-Yeong: A critical review of the theoretical trajectory of 20 years of cultural studies in Korea—focusing on rhythm analysis of the dialectics of reform and revolution
Theories & Translations
Arif Dirlik: Developmentalism
Tim Jackson: Prosperity without Growth (Excerpt)
Afterword
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